October 24, 4pm
The Bay Area has always been a hot bed of cool and unique musical acts, a plethora of bands that are the creators of their chosen genre. The Bay just doesn’t dissapoint when it comes to non-regurgitated music! With this in mind, we’re stoked to have the Bay’s own OVVL on Cold Ones and Rolled Ones with Ami Lawless. Over the past few years OVVL has released an LP, cassette single and an EP; All have been met with critical acclaim by not only this band’s peers but also the most discerning music critics alike. OVVL play a tight and heavy jammed out style of solid rock and roll, with a stoney nod to the 70’s era. Easy comparisons could be made to BLACK SABBATH, HAWKWIND and PENTAGRAM, yet OVVL’s sound adds a heavy dose of raw brutality into the mix. While you can definitly hear this band’s influences here and there throughout thier releases, they manage to keep thier stylings fresh and uncompromisingly new, this band isn’t fallowing bland trends, they’re creating a genre that pays homage to the past. Today on Cold Ones with Ami Lawless, drummer Clint Baechle will be swinging through the Radio Valencia studios with some of
his OVVL bandmates (FYI, two band members are his brothers) to chat us up about what the band is up to. We’ll spin some sweet OVVL tracks and they’ll play some tunes form other bands they are into. This show is not to be missed. Tune in for the music/stay for the chaos!
September 12, 3pm
Tune into Cold Ones & Rolled Ones with Ami Lawless today Thursday September 12th, 6:00pm-8:00pm, the in studio guest is AntiChristian of Oakland/Davis based d-beat band SIDE EFFECTS. AntiChristian will be spinning some of his favorite hardcore punk records, some of the releases he carries in his record distro as well as some tracks by his band. SIDE EFFECTS will be the support to Swedish d-beat legends MOB 47, DESPERAT (members of MOB 47 and WARVICTIMS playing sick Swedish hardcore) and KOSZMAR (from Vancouver BC), along with other bay area heroes FILTHCHAIN and FEMACOFFIN at the Oakland Metro side room this Friday September 13th, $10, all ages/21 to drink. Yep this bad ass d-beat down takes place on Friday thee 13th! You can pre-sale tickets at http://www.holdmyticket.com/event/143299 Tune in for the music/stay for the chaos!
AntiChristian of d-beat band SIDE EFFECTS
August 24, 12am
S • A • T • U • R • D • A • Y – S • E • P • T • E • M • B • E • R 21st 2•0•1•3
@ T • H • E C • A • S • T • R • O T • H • E • A • T • R • E
JONATHAN DEMME is best known for acclaimed feature films such as SILENCE OF THE LAMBS, PHILADELPHIA, and RACHEL AT THE WEDDING, but he’s also had an equally important career as a concert filmmaker, documenting such music icons as Talking Heads, Neil Young, Robyn Hitchcock, and the late monologuist Spalding Gray. KrOB’S FILM FARM presents these performance films in reverse chronology, spread out over two great double features at The Castro Theatre — in 35MM.
‘Plus — The Mighty Wurlitzer, KrOB’S EYENOISE & more!
Tickets can be purchased @ The Castro Box Office on the day of the show (9˙21˙2013) only.
Listen to Stimulus Regression Programming (Thursdays at 10pm) in September for a chance to get free tickets and stuff!
the early show :: 2:00pm :: $12.00
NEIL YOUNG: HEART OF GOLD (103 min. 2006)
A touching concert film shot in Nashville during a time that Young was facing his own mortality, in the form of both his own father’s death and his own (successful) battle with a cerebral aneurysm. The A.V. Club says of the film, “[Young] sounds simultaneously wary of death and newly aware of how sweet life can be. It’s hard to film icons like Young as anything but icons, but Demme’s film gets past the legend, zooming in on Young’s aged, heroic face and finding an artist as human as the rest of us.” (2:40pm)
HEART OF GOLD will be preceded by the short documentary “WAITING FOR A TRAIN: The Toshio Hirano Story” (Directed by Oscar Bucher | 20 min. 2009) about San Francisco’s own yodeling Jimmie Rodgers acoltye Toshio Hirano, and a short solo set by Hirano in person.
STOREFRONT HITCHCOCK (77 min. 1998)
The ever-adventurous English singer-songwriter Robyn Hitchcock performing a riveting solo concert in a (literal) storefront in New York. Salon calls STOREFRONT HITCHCOCK “so compelling a concert film that it’s easy to forget the chances [Demme] took in making it.” (4:40pm)
the late show :: 7:00pm :: $12.00
SWIMMING TO CAMBODIA (85 min. 1987)
The first — and greatest — filmed document of Spalding Gray, as he tells mostly true tales of barely surviving the filming of Roland Joffe’s THE KILLING FIELDS, with a brilliant score by Laurie Anderson. Roger Ebert commented, “This is a monologue that has been polished during many hundreds of hours on the stage, and although he makes it sound fresh, he is so familiar with it that he can gallop through a tricky passage with the confidence of an auctioneer. Like a good preacher, some of his power comes from the sheer virtuosity of his speech.” (7:40pm)
STOP MAKING SENSE (88 min. 1984)
Our Feature Presentation… Talking Heads at the top of their game! It’s been declared by Rolling Stone and countless others, as “One of the greatest rock movies ever made.” — and from the moment David Byrne says “I’ve got a tape I want to play,” you’ll understand why. Beautifully shot by Jordan Cronenweth. (10:00pm)
STOP MAKING SENSE will be preceded by the Extra Action Marching Band short film “THE BURNING WIGS OF SEDITION” (Directed by Anna Fitch & Simon Cheffins | 10 min. 2010) , followed by a live performance by the marching punk-rock marauders themselves.
TOSHIO HIRANO is a time- and continent-jumping troubadour. He grew up in Tokyo, coming of age when the American folk revival was also hitting Japan, but a chance listen to a Sunday afternoon radio program introduced him to the sound of southern Appalachia. Fast-forward through moves to Nashville and Austin, to marrying an American woman and starting a family, and Hirano is now a popular proselytizer of country legends — particularly his yodeling hero, Jimmie Rodgers — at various venues throughout San Francisco.
THE EXTRA ACTION MARCHING BAND is a collision of big band and ecstatic turmoil. Despite their name they rarely march, but rather shimmy, crawl, mob and charge. Trumpets pounce like eagles and tubas drip ass-bouncing blurps from fat fingers. Drums shudder under wild eyed and white knuckled drummers, and through it all winds the flag team; glittering and sinuous creatures who masterfully pulsate pom-poms in a hypnotic fantasy. The listener is hoodwinked, soaked, and savaged into giddy abandon.