A special Tuesday edition.
April 8, 2014 10:00am
Elvis Costello & Friends - Village Music (21st Birthday Party)
April 24th, 1989, The Sweetwater, Mill Valley, CA
Musicians:
Elvis Costello
James Burton
Jerry Scheff
Austin de Lone
Scott Matthews
Nick Lowe
Jerry Garcia
Pete Sears
Mitch Woods
Annie Sampson
Bob Weir
and with
Charles Brown, Kim Wilson, Commander Cody, and Sammy Hagar doing vocals on select songs
Setlist
01. Accidents Will Happen (Elvis solo)
02. Brilliant Mistake (Elvis solo)
03. Deep Dark Truthful Mirror (Elvis solo)
04. Mystery Dance (Elvis solo)
05. Poisoned Rose (Elvis, Jerry Scheff & Austin de Lone)
06. God's Comic (Elvis solo)
07. (The Angels Wanna Wear My) Red Shoes (Elvis solo)
08. New Lace Sleeves (Elvis solo)
09. Pads, Paws And Claws (Elvis solo)
10. Radio Sweetheart / Jackie Wilson Said (Elvis solo)
11. (What's So Funny 'Bout) Peace, Love And Understanding? (Elvis & Nick Lowe)
- James Burton, Jerry Scheff, Austin de Lone & Scott Matthews join Elvis
12. The Big Light (Elvis vocal)
13. Pouring Water On A Drowning Man (Elvis vocal)
14. The Only Daddy That'll Walk The Line (Elvis vocal)
15. Leave My Kitten Alone (Elvis vocal)
- Kim Wilson, Charles Brown join group
16. I Stepped In Quicksand (Charles Brown vocal)
17. Drifting Blues (Charles Brown vocal)
18. All My Life (Charles Brown vocal)
19. One's Too Many (And A Hundred Ain't Enough) (Kim Wilson & Nick Lowe vocals)
20. Real Gone Lover (Kim Wilson vocal)
- Jerry Garcia & Pete Sears join group
21. You Win Again (Elvis vocal)
22. Tonight The Bottle Let Me Down (Elvis vocal)
23. Why Don't You Love Me (Like You Used To Do)? (Elvis vocal)
- Commander Cody, Sammy Hagar, Mitch Woods, and Annie Sampson join group
24. Riot In Cell Block #9 (Commander Cody vocal)
25. Going Down (Sammy Hagar vocal)
- Bob Weir joins group
26. C.C. Rider (Bob Weir vocal)
27. Turn On Your Lovelight (Bob Weir vocal)[Not Part of broadcast due to time constraint]
28. Let The Good Times Roll (Elvis vocal))[Not Part of broadcast due to time constraint]
29. Lovable (Elvis vocal))[Not Part of broadcast due to time constraint]
1988 marked the first year since 1977 that Elvis did not release a new album and/or tour extensively. Thus, no concerts available from 1988. His next album, Spike, was released in early 1989, and he started touring again in Spring 1989, continuing with predominantly solo shows, most often with Nick Lowe opening and joining Elvis for 2-3 songs. The shows were structured much like the 'Spinning Songbook' shows of 1987, with a solo set from Elvis, culminating with the duos with Lowe, then coming back out as his 'Napoleon Dynamite' alter-ego and doing an encore set of talk, requests, and various audience participation bits. The main difference obviously being the inclusion of several songs from Spike. The show presented here, however, was truly a one-of-a-kind event, in which, Elvis is joined onstage by none other than Jerry Garcia, Bob Weir, and other West Coast rockers for a wild and spontaneous jam session. During his Spring US tour, he was asked to perform for the Village Music (a legendary music store) 21st Birthday celebration at The Sweetwater in Mill Valley, CA. So, after his initial solo set (culminating with the Lowe duo on 'Peace, Love and Understanding'), he then did a few songs with his back-up band, a modified version of the Confederates). After that, however, other rock luminaries in attendance were called up to the stage. First Charles Brown and Kim Wilson sang a few songs, then Jerry Garcia joins Elvis onstage for some country tunes (with Elvis on vocals). Then Elvis asks if anyone else wants sing, and up comes Commander Cody and Sammy Hagar(?). Bob Weir eventually also joins the group for couple more, finally ending with Elvis back on vocals for 'Let The Good Times Roll' and 'Lovable'. Strange assemblage of artists, but alot of fun. It is not clear if Elvis stayed onstage and played throughout during the Brown and Wilson songs (probably not), but he was definitely jamming with Garcia and Weir, and Garcia does play through til the end of the set. Elvis and Jerry talked about the spontaneity of this show in a later interview with Musician magazine (March 1991 Issue), as excerpted here:
"Elvis: Certainly a candidate for the world's greatest record store is Village Music, in Mill Valley. Every year John Goddard has a party for his friends and customers, and he always has a really good bill of people. So last year on the twenty-first anniversary, I did a show with Nick Lowe, and he invited James Burton and Jerry Scheff, who'd played with me on the road. I did my little set, Nick did his set and then it was a free-for-all; Charles Brown did a piece, and people were getting summoned to the stage. I was standing in the corridor when I suddenly heard, "Jerry Garcia to the stage!" And, emboldened by several margaritas, I decided to join him.
Jerry: Not only that, but it was one of those situations where I had the choice of playing either Elvis' guitar, which is low and it's stiff, and the strings are quite wide as well, and all this confusing script, or of playing Burton's guitar, which is strung with spider webs. I mean it's the absolutely lightest you can string a guitar and still get a sound out of it. I'd take Burton's and play a note on it and it goes "spack." So I opted to play Elvis' guitar as the lesser of two evils. [*laughter*] And I vowed I would never go to another one of those shows without my own.
Elvis: It was a whole Three Stooges routine -- "Here, you take my guitar," "No, I'll take your guitar." I think I had Burton's old Telecaster for half a song, and James had my old Martin acoustic which wasn't cranked up so he couldn't solo--and Jerry's struggling with my guitar. But once everybody got settled we managed to struggle through a couple of Hank Williams songs. Like any sort of jam thing it inevitably came to degenerate towards lots of blues. But we managed a few songs with changes.
Jerry: A pretty high level of jam-sessionry really, considering what it was. Really fun. And Elvis' solo set was phenomenal, I thought. That's one of those things that I can't do at all, just playing the guitar and singing. You're so solid with that, you don't miss a band. I always feel like I'm missing a band."
April 24th, 1989, The Sweetwater, Mill Valley, CA
Musicians:
Elvis Costello
James Burton
Jerry Scheff
Austin de Lone
Scott Matthews
Nick Lowe
Jerry Garcia
Pete Sears
Mitch Woods
Annie Sampson
Bob Weir
and with
Charles Brown, Kim Wilson, Commander Cody, and Sammy Hagar doing vocals on select songs
Setlist
01. Accidents Will Happen (Elvis solo)
02. Brilliant Mistake (Elvis solo)
03. Deep Dark Truthful Mirror (Elvis solo)
04. Mystery Dance (Elvis solo)
05. Poisoned Rose (Elvis, Jerry Scheff & Austin de Lone)
06. God's Comic (Elvis solo)
07. (The Angels Wanna Wear My) Red Shoes (Elvis solo)
08. New Lace Sleeves (Elvis solo)
09. Pads, Paws And Claws (Elvis solo)
10. Radio Sweetheart / Jackie Wilson Said (Elvis solo)
11. (What's So Funny 'Bout) Peace, Love And Understanding? (Elvis & Nick Lowe)
- James Burton, Jerry Scheff, Austin de Lone & Scott Matthews join Elvis
12. The Big Light (Elvis vocal)
13. Pouring Water On A Drowning Man (Elvis vocal)
14. The Only Daddy That'll Walk The Line (Elvis vocal)
15. Leave My Kitten Alone (Elvis vocal)
- Kim Wilson, Charles Brown join group
16. I Stepped In Quicksand (Charles Brown vocal)
17. Drifting Blues (Charles Brown vocal)
18. All My Life (Charles Brown vocal)
19. One's Too Many (And A Hundred Ain't Enough) (Kim Wilson & Nick Lowe vocals)
20. Real Gone Lover (Kim Wilson vocal)
- Jerry Garcia & Pete Sears join group
21. You Win Again (Elvis vocal)
22. Tonight The Bottle Let Me Down (Elvis vocal)
23. Why Don't You Love Me (Like You Used To Do)? (Elvis vocal)
- Commander Cody, Sammy Hagar, Mitch Woods, and Annie Sampson join group
24. Riot In Cell Block #9 (Commander Cody vocal)
25. Going Down (Sammy Hagar vocal)
- Bob Weir joins group
26. C.C. Rider (Bob Weir vocal)
27. Turn On Your Lovelight (Bob Weir vocal)[Not Part of broadcast due to time constraint]
28. Let The Good Times Roll (Elvis vocal))[Not Part of broadcast due to time constraint]
29. Lovable (Elvis vocal))[Not Part of broadcast due to time constraint]
1988 marked the first year since 1977 that Elvis did not release a new album and/or tour extensively. Thus, no concerts available from 1988. His next album, Spike, was released in early 1989, and he started touring again in Spring 1989, continuing with predominantly solo shows, most often with Nick Lowe opening and joining Elvis for 2-3 songs. The shows were structured much like the 'Spinning Songbook' shows of 1987, with a solo set from Elvis, culminating with the duos with Lowe, then coming back out as his 'Napoleon Dynamite' alter-ego and doing an encore set of talk, requests, and various audience participation bits. The main difference obviously being the inclusion of several songs from Spike. The show presented here, however, was truly a one-of-a-kind event, in which, Elvis is joined onstage by none other than Jerry Garcia, Bob Weir, and other West Coast rockers for a wild and spontaneous jam session. During his Spring US tour, he was asked to perform for the Village Music (a legendary music store) 21st Birthday celebration at The Sweetwater in Mill Valley, CA. So, after his initial solo set (culminating with the Lowe duo on 'Peace, Love and Understanding'), he then did a few songs with his back-up band, a modified version of the Confederates). After that, however, other rock luminaries in attendance were called up to the stage. First Charles Brown and Kim Wilson sang a few songs, then Jerry Garcia joins Elvis onstage for some country tunes (with Elvis on vocals). Then Elvis asks if anyone else wants sing, and up comes Commander Cody and Sammy Hagar(?). Bob Weir eventually also joins the group for couple more, finally ending with Elvis back on vocals for 'Let The Good Times Roll' and 'Lovable'. Strange assemblage of artists, but alot of fun. It is not clear if Elvis stayed onstage and played throughout during the Brown and Wilson songs (probably not), but he was definitely jamming with Garcia and Weir, and Garcia does play through til the end of the set. Elvis and Jerry talked about the spontaneity of this show in a later interview with Musician magazine (March 1991 Issue), as excerpted here:
"Elvis: Certainly a candidate for the world's greatest record store is Village Music, in Mill Valley. Every year John Goddard has a party for his friends and customers, and he always has a really good bill of people. So last year on the twenty-first anniversary, I did a show with Nick Lowe, and he invited James Burton and Jerry Scheff, who'd played with me on the road. I did my little set, Nick did his set and then it was a free-for-all; Charles Brown did a piece, and people were getting summoned to the stage. I was standing in the corridor when I suddenly heard, "Jerry Garcia to the stage!" And, emboldened by several margaritas, I decided to join him.
Jerry: Not only that, but it was one of those situations where I had the choice of playing either Elvis' guitar, which is low and it's stiff, and the strings are quite wide as well, and all this confusing script, or of playing Burton's guitar, which is strung with spider webs. I mean it's the absolutely lightest you can string a guitar and still get a sound out of it. I'd take Burton's and play a note on it and it goes "spack." So I opted to play Elvis' guitar as the lesser of two evils. [*laughter*] And I vowed I would never go to another one of those shows without my own.
Elvis: It was a whole Three Stooges routine -- "Here, you take my guitar," "No, I'll take your guitar." I think I had Burton's old Telecaster for half a song, and James had my old Martin acoustic which wasn't cranked up so he couldn't solo--and Jerry's struggling with my guitar. But once everybody got settled we managed to struggle through a couple of Hank Williams songs. Like any sort of jam thing it inevitably came to degenerate towards lots of blues. But we managed a few songs with changes.
Jerry: A pretty high level of jam-sessionry really, considering what it was. Really fun. And Elvis' solo set was phenomenal, I thought. That's one of those things that I can't do at all, just playing the guitar and singing. You're so solid with that, you don't miss a band. I always feel like I'm missing a band."
