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Hell's Kitchen Radio #572: Bringing A Rubber Duck To A Knife Fight
June 16, 2025 8:00pm

 

A Season in Hell
Hell's Kitchen Radio #572: Bringing A Rubber Duck To A Knife Fight
I was talking with a friend of mine earlier today about what makes a good radio show and about how I prepare, week to week?

I think a good radio show, focused on music, comes from a host that listens to a lot of music a lot of the time, and is excited to curate a show that features tunes in sets that flow from one song to the next, regardless of genre. As a matter of fact I really love pulling off cross-genre sets.

As for how I prepare for my shows? I listen to a lot of music throughout the week, and it's inevitable that I'm going to hear a few tunes that I'm itching to play for you all, so I make a note of that.

Then I literally go through my record shelves and pull music that's calling to me. I also have a strong desire to play new music each week. I prefer to start a set with something new, or something that's relevant and timely.

I purchase music almost weekly, so there's always something new on my show. And if there's a tribute to a fallen artist or one with a birthday that I just have to call out, or a show I've been to, or one upcoming, then something is going to end up in a set.

And then in the studio I have a stack sitting in front of me that I pull from based on the song that is currently playing. Honestly, there's not much more to it than that. More often that not I pull it off. I never phone it in.

As for tonight's show, I noticed as I was pulling music that almost every artist tonight is American. I started out the show with some rural blues, moved onto to be-bop and post-bop jazz. Then onto some soul and funk. I made my way to some west coast country and psychobilly, before getting a bit darker in the goth/post-punk vein. Then came the garage/shoegaze/psych, followed by some new dissonance post-post-punk, 60s prog-psych, new Melvins (a genre all their own), more post-post-punk, punk/metal, and finally a tribute to Brian Wilson to close it all out.

And hot damn if this show doesn't flow. Check out me trying to tie it all together!

So as for how do I prepare for my show, after being in radio for 35+ years, and a whole hell of a lot of listening? A lot of this is second nature. But I can assure you I will never rest when it comes to preparing the best in quality non-commercial radio for you, dear listener.

You have the John Hell Seal of Approval!

Enjoy and please share.

jh

Frankie and Albert: Taj Mahal
Meet Me In The Bottom: Pink Anderson

Just Knock On My Door: Art Blakey
Jakey: Big John Patton

Sticks and Stones: Joe Jones
Good To Me As I Am To You: Aretha Franklin
I Want You (She's So Heavy): Eddie Hazel

Walkin' The Streets of Love Alone: Mitch Polzak
Psychobilly Freakout: Reverend Horton Heat

Flyin' High: Jenny Don't and the Spurs
Boom Boom: Rube Waddell
Stagger Lee: Nick Cave and the Bad Seeds
Killer of Peace: Crow Jane

Kill My Baby Tonight: LA Witch
Sanitarium Blues: Death Valley Girls

Bye Bye 25!: Kim Gordon
Child in Time: Deep Purple
Vomit of Clarity: Melvins 1983
Secret Agent Rat: Crystal Fairy

Smoke Ring: Chime Oblivion
Take Me To Your Leader: Zig Zags

Heroes and Villains: Beach Boys
God Only Knows: Beach Boys
Who Listens To Radio: Sarah Vaughn


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